POSTMARKED BALTIMORE STERLINGHOUSE INDIEBOUND AMAZON BARNES & NOBLE TARGET
THE FINAL CHASE STERLINGHOUSE AMAZON BARNES & NOBLE TARGET
Postmarked Baltimore
Honorable Mention
2008 New England Book Festival
A work of magical realism mostly set in a flashback to 1970s Baltimore. It is New Year's Eve, and Father Perry Burns sits in his study, agonizing over his own love story gone wrong. Perry is haunted by his past, his mistake and his decision to run from it. The robes of the priesthood have given him cover for fifteen years, but now Noel’s letter, which sits on his desk, reveals to him the black nakedness of his soul. He has heard countless confessions over the years, but it is this one, a mistake he never revealed to Noel, that will determine his fate. Perry is left with an impossible dilemma: ignore the letter and die never having told her the truth, or return to Baltimore to answer to the woman he still loves.
The Final Chase (2005)
A work of speculative fiction that borrows from the horror and fantasy genres. "Part-parable, part-modern myth," as Neil Connelly describes it, Chase Manna is angry with life and especially with God. After being abandoned for a second time by someone he loves, Chase falls asleep and cannot awaken from the danger-laden journey he must face. Led by curiosity and inspired by his love for Nora Waters, Chase is exposed to the ways of the villagers and their leader, his evil twin brother. Chase must learn about sacrifice and betrayal, and ultimately whether or not he will join his brother or destroy him.
POSTMARKED BALTIMORE, Excerpt "I’ve learned my lesson," he said to himself, still staring at the letter, trying to believe against all sobriety that the letter in front of him wasn’t postmarked Baltimore.
As the months passed, though, his feelings mutated. It was odd, even Father Burns acknowledged, that the more he worked with the couple leading up to their wedding day, the more they started to resemble him and Noel. It wasn’t so much a physical thing as it was an intrinsic quality in the two that moved them toward each other even when they were moving away. It was how he and Noel had been. The flutter of the girl’s eyes, the youthful flirting of the boy, it was all the little things that made love perfect. Such a bitter pill, jagged and exact in its scrape, only sharpened the more he watched them. There were moments when he couldn’t wait to see the couple because remembering wasn’t so bad; there were also times when he couldn’t wait for the wedding to be over. Remembering fond times usually brings sweet nostalgia to the normal man; for Father Burns, though, remembering could be like fingernails across a chalkboard. In a matter of weeks what he had worked so hard for years to erase was materializing again in the form of one woman’s name. And the chalk kept writing it over and over again on the chalkboard.